A Streetcar Named Desire: Study Guide
by Tennessee Williams
p. 631
Tennessee
Williams is one of the foremost playwrights of the twentieth century. He won numerous awards and has created some
of the most memorable characters in American theater. In an interview, Williams said, “I have always been more
interested in creating a character that contains something crippled. I think nearly all of us have some kind of
defect, anyway, and I suppose I have found it easier to identify with the
characters who verge upon hysteria, who were frightened of life, who were
desperate to reach out to another person.”
Written
in 1947, A Streetcar Named Desire explores the themes of “desire,
loneliness, and human fragility” (Andrews 628). The story is set in New Orleans, Louisiana in the month of May,
sometime after WW II.
tragedy – Tragedies evoke the disillusionment
and agony of life. Tragic protagonists
are destroyed by their own self-destructive tendencies, or by external forces
over which they have no control – nature, rivals, society, war, poverty,
illness. Their downfall and death often
seem predestined.
comedy – Comedies reflect the foibles,
contradictions, and confusions of man and society. They may be broadly funny and playful, wry and cynical, or
satirical and biting. Comic
protagonists face many conflicts, but they usually emerge unscathed from
them.
flat - apartment
portiere – a curtain hanging across a doorway
neurasthenic – an emotional and psychic disorder that
is characterized especially by easy fatigability and often by lack of
motivation, feelings of inadequacy, and psychosomatic symptoms
contrapuntally – a. a complementing or contrasting item
b : use of contrast or interplay of elements in a work of art (as
a drama)
sotto
voce – under the breath :
in an undertone; also : in a private manner
Bohemian – a person (as a writer or an artist)
living an unconventional life usually in a colony with others
courtesan – a prostitute with a courtly
, wealthy, or upper-class clientele
blanche - full discretionary power (as in carte
blanche)
Scenes 1-3
Notes
Elysian Fields – The
mention of this is an allusion to the underworld of Greek mythology.
1.
When we first meet
Blanche DuBois, she has traveled to see her sister Stella. She took streetcars named Desire and
Cemeteries to arrive at her sister’s apartment. What might these names represent?
2.
Blanche goes into
Stella’s apartment to wait for her to come home. What does she do while she is waiting?
3.
What does Belle Reve
mean? What does it refer to in the
play?
4.
Why does Blanche say
that she has left her teaching job to visit Stella?
5.
Why does Blanche say
that she lost Belle Reve?
6.
At the end of Scene
One, what music “rises up, faint in the distance”?
7.
Near the end of
Scene One, what do we learn about Blanche’s husband?
8.
In Scene Two,
Stanley finds out about the loss of Belle Reve. What is his reaction?
9.
What does Stanley
think that Blanche has done with the money he believes she made from selling
Belle Reve?
10. What does Stanley tell Blanche about Stella
as they are going through her business
papers?
11.Where
are Stella and Blanche going while the men play poker?
12.When
Blanche and Stella return to the apartment, the men are still there playing
poker. Which one does Stella introduce
to Blanche? What does Blanche say about
him?
13. Blanche goes to the back room, a bedroom, to relax
until the men finish playing. She turns
on the radio. Stanley asks her to turn
it off, but when she doesn’t, what does Stanley do?
14. Why does Blanche lie to Mitch about being younger
than Stella? Why doesn’t she like
bright lights?
15. What happens between Stella and Stanley that ends
the poker game?
Characters
What kind of relationship
do Stella and Stanley have?
How does Stanley differ
from Blanche?
How does Mitch compare
and contrast with Stanley?
Symbols
Music – The play has many
stage directions referring to music.
What music and songs are present in the first three scenes? How does the music relate to the characters?
Light – Why is the paper
lantern important to Blanche?
Scenes 4-6
16. How did Stella say she reacted to Stanley’s
breaking all the light bulbs on their wedding night?
17. What idea does Blanche have to escape New Orleans
with Stella?
18. When Blanche and Stella are discussing Stanley,
his entrance to the apartment is washed out by a passing train. What does he hear Blanche say about him?
19. In Scene Five, Blanche discusses astrological signs. What sign does she think Stanley was born
under and why?
What
sign does she say she was born under?
What does it mean?
20. Seemingly out of the blue, Stanley asks
Blanche if she knows someone named
Shaw. He says that Shaw knew
Blanche from Laurel but must have mixed her up with someone else who partied at
the Hotel Flamingo. What is Blanche’s
response?
20. Who is coming over to see Blanche on this night?
21. After Stella and Stanley leave, a young man comes
to the door collecting money for the local newspaper, The Evening Star. What does Blanche do to him?
22. Blanche and Mitch discuss Stanley. She asks him if Stanley talks much about her
and explains how horrid he is making her life there with them. What does Mitch respond?
23. At the end of Scene Six, Blanche is confiding in
Mitch by telling him the story of how her husband died. How did he die? What led to that?
Characters
Blanche – In Scene Five,
Blanche is writing a letter to Shep Huntleight. Why does she not tell him the truth of her situation?
Blanche- In Scene Five,
we see Blanche drinking again. Why do
you think she drinks? (Don’t say she’s
an alcoholic.)
Blanche – Why does
Blanche flirt with the newspaper boy?
Symbols
Music – Where and what
kind of music is mentioned in these scenes?
Scenes 7-11
24. It is now mid-September and Blanche’s
birthday. Stella has prepared a party
for her. Stanley lets Stella know that
he has learned some things about Blanche.
What things?
25. During their talk, Blanche is in the tub and singing. What does she sing about?
26. Who is supposed to come over for Blanche’s
birthday? Why does Stanley say this
person won’t be coming?
27. What has Stanley bought for Blanche?
28. Blanche is stood up. They sit talking at the table and Stanley gets angry at Stella
for telling him his face and fingers are disgustingly greasy. What does he do in response?
29. What happens at the end of Scene Eight?
30. In Scene Nine, who stops by unexpectedly to see
Blanche?
31. Blanche makes a very telling statement at the
bottom of p. 678 about reality. What
does she say?
32. What does Blanche admit happened after her
husband’s death? Why did she say she
did this?
33. Why does Mitch say he won’t marry Blanche now?
34. Stanley comes home from the hospital. Blanche has been drinking fairly steadily
since Mitch left. Who does she tell
Stanley she heard from? What invitation
does she say he extended?
35. Blanche tells Stanley that Mitch came to see her
that night. What does she tell him the
reason was?
36. What happens at the end of Scene Ten?
37. Several weeks have passed and Stella is packing
Blanche’s things. Where does Blanche
think she is going? Where is she
actually going?
Characters
Blanche – Why does
Stanley want her to leave? How is her
presence effecting his marriage?
Stanley – How has his
relationship with Stella changed? How
has his relationship with Blanche changed?
Symbols
What do you think is the
symbolic meaning of the Mexican woman selling flowers for the dead in Scene
Nine?
Why does Mitch rip the
paper lantern off of the light bulb?
What does light represent?
Main Themes:
Fantasy/Illusion: Blanche dwells in illusion; fantasy is her
primary means of self-defense. Her deceits do not carry any trace of malice;
rather, they come from her weakness and inability to confront the truth
head-on. She tells things not as they are, but as they ought to be. For her,
fantasy has a liberating magic that protects her from the tragedies she has had
to endure. Unfortunately, this defense is frail and will be shattered by Stanley.
In the end, Stanley and Stella will also resort to a kind of illusion: Stella
will force herself to believe that Blanche's accusations against Stanley are
false.
The Old South and the New South: Stella and Blanche come from a
world that is rapidly dying. Belle Reve, their family's ancestral plantation,
has been lost. The two sisters, symbolically, are the last living members of
their family. Stella will mingle her blood with a man of blue-collar stock, and
Blanche will enter the world of madness. Stanley represents the new order of
the South: chivalry is dead, replaced by a "rat race," to which
Stanley makes several proud illusions.
Cruelty: The only unforgivable crime, according to Blanche, is
deliberate cruelty. This sin is Stanley's specialty. His final assault against
Blanche is a merciless attack against an already-beaten foe. On the other hand,
though Blanche is dishonest, she never lies out of malice. Her cruelty is
unintentional; often, she lies in a vain effort to plays. Throughout Streetcar,
we see the full range of cruelty, from Blanche's well-intentioned deceits to
Stella self-deceiving treachery to Stanley's deliberate and unchecked malice.
In Williams' plays, there are many ways to hurt someone. And some are worse
than others.
The Primitive and the Primal: Blanche often speaks of Stanley as
ape-like and primitive. Stanley represents a very unrefined manhood, a romantic
idea of man untouched by civilization and its effeminizing influences. His
appeal is clear: Stella cannot resist him, and even Blanche, though repulsed,
is on some level drawn to him. Stanley's unrefined nature also includes a
terrifying amorality. The service of his desire is central to who he is; he has
no qualms about driving his sister-in-law to madness, or raping her.
Desire: Closely related to the theme above, desire is the central
theme of the play. Blanche seeks to deny it, although we learn later in the
play that desire is one of her driving motivations; her desires have caused her
to be driven out of town. Desire, and not intellectual or spiritual intimacy,
is the heart of Stella's and Stanley's relationship. Desire is Blanche's
undoing, because she cannot find a healthy way of dealing with it: she is
always either trying to suppress it or pursuing it with abandon.
Loneliness: The companion theme to desire; between these two
extremes, Blanche is lost. She desperately seeks companionship and protection
in the arms of strangers. And she has never recovered from her tragic and
consuming love for her first husband. Blanche is in need of a defender. But in
New Orleans, she will find instead the predatory and merciless Stanley.
from ClassicNote on A Streetcar Named Desire
Final Questions
1.
What character do
you have the most sympathy for?
Why?
2.
Only Scene
Three is given a title by Williams.
Give a title to three other scenes and explain your reasoning for each
title.
3.
Why will a
woman stay with a man who abuses her?
4.
Why are
women attracted to “bad boys”?
5.
At the
beginning of the play, Stanley is bowling and at the end he is playing
cards. What does this suggest about his
views of life?
6.
Is your
first loyalty to be with your spouse or with your best friend?
7.
Did Mitch
love Blanche?
8.
If a friend
of yours is happily dating someone and you find out something bad about that
person, should you tell your friend?